(1937). The impenetrable veils of smoke are almost Cocteau-esquire, giving the film the sensuous richness of Scheheradze's chambers. Notices dans des dictionnaires ou encyclopédies généralistes, https://www.encyclocine.com/index.html?menu=0&film=4184, https://fr.wikipedia.org/w/index.php?title=Pépé_le_Moko&oldid=178617577, Page pointant vers des bases relatives à l'audiovisuel, Page pointant vers des dictionnaires ou encyclopédies généralistes, Portail:Époque contemporaine/Articles liés, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. With Jean Gabin, Gabriel Gabrio, Saturnin Fabre, Fernand Charpin. But, as if that weren't enough, a chance encounter with the dazzling coquette, Gaby, will expose the Achilles' heel of the love-smitten lord of the Casbah, who is now eager to dice with death only to be with her. Use the HTML below. In this classic adaptation of Emile Zola's novel, a tortured train engineer falls in love with a troubled married woman who has helped her husband commit a murder. Want to share IMDb's rating on your own site? August 1978 in Phoenix, Arizona) war ein französischer Schauspieler.Den Höhepunkt seiner Karriere erlebte er in den 1930er- und 1940er-Jahren in Hollywood, wo er häufig als Leading Man in Liebesfilmen spielte. Cette relation est jalousée par Inès, maîtresse de Pépé. Amongst his most original films, chiefly notable are La Bandera, Pépé le Moko, Little World of Don Camillo, Panique, Voici le temps des assassins and Marianne de ma jeunesse. He is protected from arrest by his friends, but is torn by his desire for freedom outside. You must be a registered user to use the IMDb rating plugin. » (Jean Gabin). Sa vie bascule le jour où il tombe amoureux de Gaby, une jeune femme demi-mondaine, entretenue par un homme riche, passée là en touriste, représentant tout ce que la Casbah n'est pas : parisienne et sophistiquée. Yet, the viewer is acutely aware that the Paris Pepe longs for no longer exists, if it is represented by the addle-brained, vacuous Sybarites that his lover surrounds herself with. His indifference to her extravagant jewelry reveals the absolute arbitrariness of his criminal pursuits, a mere pretext for action in such boring climes. Nick Riganas. En 1949, le célèbre acteur comique italien Totò prit la place de Jean Gabin dans un film parodique : Totò le Moko, de Carlo Ludovico Bragaglia. Like Dostoevsky's hapless dreamers, Duvivier's characters are in love with phantoms, incorporeal fantasies that they project onto canvas of flesh. From The Current. Directed by Julien Duvivier. The sequence of Pepe's fevered sprint toward the harbor may be maligned nowadays for its visual sloppiness, but I think it's absolutely marvelous, masterfully capturing Pepe's childlike impetuousness. 『望郷』(ぼうきょう、原題:Pépé le Moko)は、1937年に製作・公開されたフランスの映画である。撮影は1936年。 アシェルベ(アンリ・ラ・バルト)の小説を基にジュリアン・デュヴィヴィエが監督、ジャン・ギャバンが主演した。 詩的リアリズム路線の代表作の一つとされる。 A visiting Parisian beauty may just tempt his fate. Title: Totò le Mokò è un film del 1949 diretto da Carlo Ludovico Bragaglia. Meanwhile the thief seeks the love of a young woman, who is held emotionally captive by her slumlord family. A wanted gangster is both king and prisoner of the Casbah. But unlike many self-professed cocktail snobs, I don’t just celebrate the good stuff that we serve at my Portland, Oregon, bars, Clyde Common and Pépé le Moko. Under those pressing circumstances, and always homesick for his beloved Paris after two long years in the impenetrable district, Pépé and his loyal gang find themselves in a constant cat-and-mouse game with the local police and the sly, manipulative detective, Inspector Slimane, trying hard to be one step ahead of them. Eddie Selzer, animation producer—and Jones' bitterest foe—at Warners then once profanely commented that no one would laugh at those cartoons. La dernière modification de cette page a été faite le 10 janvier 2021 à 01:14. Is she Pépé le Moko's last chance to leave his squalid criminal haven? Charles Boyer (* 28.August 1899 in Figeac, Frankreich; † 26. What a film this is....a terrific achievement. A wanted gangster is both king and prisoner of the Casbah. Le film obtient au moins deux récompenses internationales[3] : « Pépé le Moko, c'est l'installation officielle, dans le cinéma français d'avant-guerre, du romantisme des êtres en marge, de la mythologie de l'échec. During WWI, two French soldiers are captured and imprisoned in a German P.O.W. La carrière de Gabin se divise en 3 phases. It's not so surprising that this film originally bore the working title of "Les Nuits Blanches", as it certainly shares more than a passing resemblance to Dostoevsky's timeless tale and Visconti's mesmeric adaptation. Faux raccord remarqué : vers le milieu de l'histoire, quand Pépé le Moko porte une chemise sombre et que sa veste s'écarte, on a le temps de voir les initiales « J.G. View production, box office, & company info. But, as if that weren't enough, a chance encounter with the dazzling coquette, Gaby, will expose the Achilles' heel of the love-smitten lord of the Casbah, who is now eager to dice with death only to be with her. When a beautiful femme fatale appears in his life, the pull to return to Paris could prove too much, resulting in his capture. Like the swaggering, stolid gangsters of Jean-Pierre Melville, Pepe is a victim of himself, prisoner of arbitrary codes of masculinity and honor. At the same time, the mists accent Pepe's self-deception- his entire persona is fictive, as are his illusions of freedom and escape. Il y est intouchable, mais ne peut en sortir sans se faire arrêter. Jean Gabin, Actor: La grande illusion. Pépé le moko Julien Duvivier. Holed up in the labyrinthine trap of narrow cobblestoned streets and dark dead-end alleys in the bustling Casbah quarter of Algiers, the charismatic leader and elegant Parisian gangster, Pépé le Moko, is starting to reach the end of his tether. In Aeschylean fashion, neither Pepe nor said femme fatale love one another, they merely love effigies, ideals. Experimental for its time, French crime drama “Pépé le Moko” is about a wanted gangster who’s on the lam and protected from capture in Algiers’ Casbah. After an elderly maid is murdered, opinions are manipulated, evidence is planted, violence erupts, and panic ensues. Films Announced for Cinema St. Louis’ Classic French Film Festival March 2nd -25th at Webster University, Foreplays #4: Jean Epstein's "Les feux de la mer", Criterion Close-Up – Episode 60 – Julien Duvivier in the 1930s, Metacritic's Highest Rated Romance Movies. 1/1. C'est de la poésie populiste à fleur de peau : mauvais garçons, filles de joie, alcool, cafard et fleur bleue », selon Jacques Siclier[5]. Prodotto da Raffaele Colamonici e Umberto Montesi, la pellicola venne girata nella primavera del 1949, per uscire il … As psychology transformed into image, this one works.Beyond everything, Pepe Le Moko is a deeply cynical film, its slightly jaundiced perspective on human nature reminding one of Clouzot, Hitchcock and Joseph Conrad. Julien Duvivier (French: ; 8 October 1896, in Lille – 29 October 1967, in Paris) was a French film director and screenwriter. A charismatic thief makes friends with a bankrupt baron who comes to live in the thief's slum. Christine, newly widowed and consumed by the memory of a ball she attended age 16, decides to track down the men she danced with that night and discover their fates. A visiting Parisian beauty may just tempt his fate. Everything about Jean Gabin's character makes me want to cry- his fragile stoicism, his crestfallenness, his obsessive delusion, his self-destructiveness.There are some who would take issue with the implicit ethnocentrism in the "Casbah" imagery. Dans une interview donnée en 1999 sur sa cinémathèque imaginaire, le cinéaste Jean-Pierre Mocky cite Pépé le Moko : « Dans les films français, Pépé le Moko de Julien Duvivier est pour moi un film phare. L'accueil de Pépé le Moko est triomphal en France et le film est également très bien accueilli à l'étranger, y compris aux États-Unis, malgré le moralisme du Code Hays et la censure, qui retarderont sa sortie dans plusieurs villes, comme New York, jusqu'en 1941[3]. ». The female is Pepe's solitary conduit to his beloved Paris and the only confidante for his crippling homesickness. 19 of 23 people found this review helpful. If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop. You may also like: Best and worst Leonardo DiCaprio movies Il appartient aux films interprétés par des acteurs qui aujourd’hui n’existent plus, c’est-à-dire les seconds rôles qui pourraient être des premiers rôles[6]. Look back at our favorite moments throughout the year, from award shows to up-close shots of celebrities. The Rules of the Game Jean Renoir. Keep track of everything you watch; tell your friends. Get a sneak peek of the new version of this page. An aging, world-weary gangster is double-crossed and forced out of retirement when his best friend is kidnapped and their stash of eight stolen gold bars demanded as ransom. Jean-Alexis Moncorgé started his career with 15 years at the theatre and debuted at the "Moulin Rouge" in Paris in 1929. Note that this was an adaptation of a novel written in the midst of fervent pro-colonial sentiment, and that, in Duvivier's hands, the Casbah becomes mythic, poetic, allegorical. As Pepe courses onward, the surrounding Casbah gradually blurs around him, the juxtaposition of back/foreground indicating his flight from one fantasy into another, as well as highlighting the sheer depth of his delusory monomania and tunnel-visioned myopia. Pépé le Moko est un film français de Julien Duvivier sorti en 1937, avec Jean Gabin et Mireille Balin, d'après le roman éponyme de Henri La Barthe. Depicted as a French striped skunk, Pepé is constantly in search of love.However, his offensive skunk odor and his aggressive pursuit of romance typically cause other characters to run from him. Sustained by his illusions, Pepe withdraws further from reality. Add the first question. La police cherche à coincer le caïd du milieu parisien Pépé le Moko, réfugié dans la Casbah d'Alger avec sa bande. Naturally, idealism and reality are hopelessly estranged, and efforts of reconciliation can only precipitate frustration and tragedy.Pepe le Moko is a tormented fugitive and exile, liege lord of a vice-ridden, sweltering microcosm and crown fool. But difficulties come to split their friendly group apart. Instead of sharing the money, they buy a ruin and build an open-air cafe. Is she Pépé le Moko's last chance to leave his squalid criminal haven? "Pepe Le Moko" is, more than anything else, a love story, though it functions more as a commentary on the dynamics and nature of love than an exultation in its virtues. By Imogen Sara Smith. Il pourra ainsi le mettre en état d'arrestation. A military deserter finds love and trouble (and a small dog) in a smoky French port city. Seeking better life, two convicts escape from prison. His "freedom" itself is pathetic enough to be risible, venturing outside the insular sanctuary and he is fair game for the police. camp. I love the golden age of French cinema, and this affirms and reinforces that affection. Despite of his rude aspect he knew to be the gentleman of the French cinema in the time between the two World Wars. He was prominent in French cinema in the years 1930–1960. 1937: Pépé le Moko – Im Dunkel von Algier (Pépé le Moko) 1937: Die große Illusion (La grande illusion) 1938: Hafen im Nebel (Quai des brumes) 1938: Bestie Mensch (La bête humaine) 1939: Der Tag bricht an (Le jour se lève) 1941: Schleppkähne (Remorques) 1942: Nacht im … L'essentiel du film est tourné dans la reconstitution de la Casbah, due à Jacques Krauss, aux studios de Joinville-le-Pont, le matériel lourd nécessité par le cinéma d'alors pouvant difficilement être utilisé dans les rues étroites de la Casbah, où seuls quelques plans d'extérieur seront réalisés, Ainsi, à son grand regret, Mireille Balin n'a-t-elle pas mis les pieds à Alger à cette occasion : elle est d'ailleurs doublée dans les plans larges de la scène finale sur le paquebot[3]. A bookseller saves a tramp from drowning and shelters him, but the tramp's odd behavior starts to wear everyone down. Several escape attempts follow until they are eventually sent to a seemingly inescapable fortress. A woman and her pimp exploit a painter for money. The entire film is a tight lattice of interwoven self-interests- look at the Parisienne's corpulent, autocratic husband, the obsence, oleaginous Regis and the servile, serpentine Slimane for some fine examples of the vile characters on display. Like Becker, he seems to have been largely misunderstood and under-appreciated in his time, at least on these shores, and the interview appended on the Criterion disk suggest that he was a retiring and modest sort, never garrulous about his art (and hesitant to even think of it as art, which it assuredly is). En 1949, le célèbre acteur comique italien, Le film a bénéficié de plusieurs reprises en salles en France en août 1940, en janvier 1953 et en mai 1958. Clinging doggedly to whatever semblance of liberty he has left, Pepe acts out a tragic comedy within the confines of his circumscribed universe, his roles of Don Juan and Capone underscored by pathos and ennui.When a flighty Parisienne catches a glimpse of the fabled kingpin, she becomes instantly infatuated with his imperious manner, seeing him and the bloodthirsty world he represents as salvation from her stuffy bourgeois existence. Was this review helpful to you? His hauteur are undermined by the minuteness of his empire, itself infested with conspirators eager to sell him to the police. Sa première phase comprend ses plus grands films, ses plus beaux rôles, et surtout lui offre ses plus belles performances d'acteur: entre 36 et 39 il enchaîne Pépé le Moko, La Grande Illusion, Quai des brumes, La Bête humaine, Le jour se lève. The mere fact that a Parisienne would exalt him as her liberator should itself alert him to the folly of his reveries. Pepé's voice, provided by Mel Blanc, was based on Charles Boyer's Pépé le Moko from Algiers (1938), a remake of the 1937 French film Pépé le Moko. L'inspecteur Slimane, lui, suit tout cela très attentivement : il compte sur les développements de ce triangle amoureux pour faire sortir le caïd de sa planque. One of his most popular personalities was inspector Maigret. Pépé le Moko Written by He is protected from arrest by his friends, but is torn by his desire for freedom outside. S'écrit plus généralement moco[2]. Five unemployed penniless workers win 100,000 Francs with the national lottery. Un article de Wikipédia, l'encyclopédie libre. This FAQ is empty. Holed up in the labyrinthine trap of narrow cobblestoned streets and dark dead-end alleys in the bustling Casbah quarter of Algiers, the charismatic leader and elegant Parisian gangster, Pépé le Moko, is starting to reach the end of his tether. Moko est un mot d'argot issu de l'expression provençale em'acò (avec ça) (prononcé approximativement « 'm'oco » à Toulon) désignant un marin de la Marine nationale naviguant en Méditerranée, dont le port d'attache est Toulon. Under those pressing circumstances, and always homesick for his beloved Paris after two long years in the impenetrable district, Pépé and his loyal gang find themselves in a constant cat-and-mouse game with the local police and the sly, manipulative detective, Inspector Slimane, trying hard to be one step ahead of them. Remakes : Pépé le Moko fut ensuite adapté à deux reprises aux Etats-Unis : en 1938, sous le titre Algiers (en français Casbah) par John Cromwell, puis en 1948, sous le titre Casbah par John Berry. 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